The Modernist Inheritance Tampering with the Technology and Other Interferences (Coursework Sample)

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The Modernist Inheritance Tampering with the Technology and Other Interferences
The main theme is the development of video as an art.
The 19th century marked the revolution of art because artists became less concerned with transforming paint and began to explore the intrinsic qualities of conventional art material (Elwes, 2005).
Consequently, Americans emerged as successful artists because they pursued anonymity on the subject of art.
Constant development in art led to the production of televisions, videos, cameras, synchronized sounds, and computers.
The first televisions contained a vidicom tube made of glass and coated with clusters of phosphor.
Constant development of televisions improved their quality.
Vostell and Paik tampered with the television, which improved the quality of televisions.
After the introduction of televisions, artists gained access to recorders and cameras in the 1960s. Video feedback was experimented for its ability to dramatize imaging functions of the camera (Elwes, 2005).
The ability to dramatize video pictures called for the need to synchronize sound and videos in order to ascertain television reality.
Recorders were able to develop two channels of sound.
The first channel synchronized moving images with sound while the second channel separated the audio from the video.
Gary Hill who recorded audio and videos backwards disrupted the relationship between the picture and sound (Elwes, 2005).
Further malfunctions were available because first television sets kept on losing the synchronization of picture scanning.
Drift between frames that had invisible black band marking from one frame to another.
The advent of computers enabled video artists to develop images without the intention of broadcasting on live television or the observable world.
The Language of New Media
The theme for this publication is cinema’s technological abilities.
The birth if cinema a hundred years ago is now a basic means used by computer users to access and interact with cultural data (Manovich, n.d)
The inclusion of virtual camera controls has revolutionized computer games.
Editing and montage (temporal montage and montage within a shot) are crucial in creating fake realities today (in movies)
Montage enables film producers to present actors with objects that do not exist in reality.
It is not compulsory to apply digital compositing although it could a seamless virtual space.
Distinct worlds can clash semantically instead of forming one universe.
The camera can be anywhere and using superhuman vision it can capture images of any object that is close to the camera.
Compiling photographs in a single magazine upholds the principal of universal quality.
Modernization comes with the disruption of matter and physical space, a process that privileges mobile and interchangeable signs over original objects and relations.
Synthetic computer-generated images are not inferior to our reality, they are just a realistic representation of a different reality (Manovich, n.d)
Digital revolution made materialized the avant-garde in computers.
The loop not only gave birth to computer programming, but also gave birth to cinema
The principal of simple repetitive sequential activities used by the Ford Company made computer programming possible (Manovich, n.d).
It is expected that computer-based cinema will apply the graphics user interface technique.
Bill Viola Reasons for Knocking at an Empty House
The main theme for this publication is art light and technology.
In 1973, a technical mistake led to the invention of a non-signal.
Florence realized that the visual world exists everywhere and in all directions simultaneously in 1975 (Viola, 1994).
Completing a tape is like releasing a long-held breath, which comes with the desire to produce another tape.
The system used for installing the video system configuration occurred in two stages by 1975.
The firsts stage entailed setting up the space, camera, lights and the iron for Vapore 1975
The second stage involved letting the audience in.
William Blake mentioned that cleansing the doors of perception would make man perceive everything as though they were infini...