The Historical and Contemporary Approaches Towards Native Art (Essay Sample)

Instructions:

As you might have noticed, there is A LOT happening in the art world. It is often hard to get a clear picture. Sometimes the focus is placed (in textbooks, art galleries) on groups of people that have traditionally been represented. There is so much exciting and relevant art happening NOW within a variety of people groups. I am inviting you to choose ONE of the underrepresented groups below to focus on:
Artists with Disabilities
Women Artists
Minority Artists (Artists traditionally underrepresented either because of race, color, ethnicity, social class, religious belief or educational background)
Craft Artists (Artists working in glass, fibers, quilting or any other craft field)
Native Art or Tribal Art (you can focus on either or both historical and contemporary approaches)
Ceremonial Art (art created for a religious ceremony or practice)
Once you have chosen a group from the list above to focus on please do some ONLINE research on the topic. What is happening, going on, available within these groups as it relates to art making? What kind of art are they making? Any artists stand out? Or perhaps galleries or museums that support contemporary artists from this group?
You are NOT asked to write a paper on your findings. Instead, I am asking that you CUT & PASTE links to interesting articles and websites that you find on the topic. Please provide at least FIVE links on your group of choice. Make sure that you clearly tell me what your group is. List the links {at least FIVE} and give me 3-5 sentences FOR EACH LINK on why this link {to an article or artists website} is informative and relevant in response to what this specific people group is doing NOW.

source..

Content:

Title
Authors Name
Institutional Affiliation
Date
The historical and contemporary approaches towards native art.
Introduction
The history art clearly describes any activity or product made by humans in a visual form for aesthetical or communicative purposes by expressing ideas, motions and general world view.
Museums have been marginalized American artists often lumping them all together as aliens rather than artist from particular tribal nation with specific world views, homelands and relationships to colonialism. Toumey (1994). This class confronts those stereotypes and myths and explores how they came about. americanindian.si.education.
The views of native histories in many ways represent a paradigm shift in Western scholarship. The rampant specialization and disciplinary divisions in academia had led to a view of the world as a whole that was equally separate and compartmentized, this does not allow interconnectedness among different cultures.escholarship.org/uc/item/5v
The Native American historic art that they call into question the whole iconographic enterprise is distorted. It focuses on the need to give priority and chance to make all the artistic works and sideline discrimination. s.org.
Legal rights of indigenous people; despite the unique status of the indigenous people and the federal governments binding treaty obligations to India and America ,many misunderstandings continue with regard to education,health.Extremes:Educational in the Far North(Darnell and Hoem,1996)
The historical political, cultural, economic and geographical contexts and educational background is shows major disparities in the major understandings and perception to ideasâ€™ history of Indian Education (DeJong,1993)
To conclude, the history of art is a multidisplinary branch of the arts and sciences seeking an objecting examination of art throughout time ,classifying cultures, establishing periodizations and observing the distinctive and influential characteristics of art.
References:
Toumey, C. (1994). God's own scientists: Creationists in a Secular World. New Brunswick,...

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The Historical and Contemporary Approaches Towards Native Art (Essay Sample)

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