Musical observation (Research Paper Sample)
the task was to attend a concert and then write an essay mentioning HISTORICAL PERSPECTIVE, PERFORMANCE FORCE, FORM, TEXTURE, AND CHARACTERS. The concert that I attended was known as “A Debut Series Event.” It was held on May 5, 2013 at the Vanderhoef Studio Theater. There are three pieces that I discussed in this paper. The pieces include Sonata for Violin and Piano by Janáček in Con moto - Ballada: Con moto - Allegretto - Adagio. The second one is Sonata for Violin and Piano by Debussy in Allegro vivo - Intermède: Fantasque et léger - Finale: Très anímé. The last one is Sonata for Violin and Piano in F Major, Op. 24 by Beethoven in Allegro - Adagio molto espressivo - Scherzo: Allegro molto - Rondo: Allegro ma non troppo.source..
MUSICAL OBSERVATION OF "A DEBUT SERIES EVENT"
The concert that I attended was known as "A Debut Series Event." It was held on May 5, 2013 at the Vanderhoef Studio Theater. There are three pieces that I will discuss in this paper. The pieces include Sonata for Violin and Piano by JanáÄek in Con moto - Ballada: Con moto - Allegretto - Adagio. The second one is Sonata for Violin and Piano by Debussy in Allegro vivo - IntermÃ¨de: Fantasque et lÃ©ger - Finale: TrÃ¨s anÃmÃ©. The last one is Sonata for Violin and Piano in F Major, Op. 24 by Beethoven in Allegro - Adagio molto espressivo - Scherzo: Allegro molto - Rondo: Allegro ma non troppo.
The Sonata form is the most important of all the true forms, so important that you can often feel sonata processes at work in forms called by other names. A sonata movement consists of three mandatory elements: the exposition, a presentation of the musical materials for the movement; development, a further investigation and exploration of their possibilities; and recapitulation, where these materials are restated in modified fashion. Optionally there can be an introduction (sometimes slow), although nearly every work begins with some sort of initial gesture, and a coda, or distinct conclusion. One would not call the first solo piano sonatas a gripping sort of music. That was not the point. Symphonic music and opera dealt in the grander issues, while piano music was for the pleasure of those who played it. Haydn reveled in composing piano sonatas, where we often find him at his most witty and playful.
The pieces in the concert:
The first piece in the concert
* Sonata for Violin and Piano by JanáÄek in Con moto - Ballada: Con moto - Allegretto â€“ Adagio.
The Sonataâ€™s first movement, a compact and quirky sonata form, is built from two thematic elements: a broad, arching violin melody and a sharp, stabbing rhythmic motive of two, or sometimes three or four, quick notes. This piece achieved prominence between 1924 and 1921. The composer was prompted to write music for the purpose of avoiding depression that resulted from the hardships in life. LeoÅ¡ Janácek was among those many Czechs at the turn of the 20th century who longed for freedom for their native land from the Habsburgs. He was born on 3rd July, 1854 in Hukvadly, Moravia and died on 12th August, 1928 in Ostravia. Janácek believed that this end could best be achieved by an alliance of all the Slavic peoples led by Russia since, as he wrote in a letter to his friend Richard Vesely.
There is steady progression of the rhythmic transitions in the piece. The violin alone introduces the stabbing motive at the outset, which is then taken over by the piano and extended to become an anxious accompaniment to the violinâ€™s broad theme. While the piano whispers the broad melody, the stabbing motive is reinforced by the pizzicato violin to serve as a transition to the lyrical transformation of the main theme that provides a sort of formal second subject. The development juxtaposes the pianoâ€™s obsessive repetitions of the stabbing motive (while the violin trills) and the violinâ€™s fragmented recollections of the broad melody (while the piano trills). The Ballada tells a peaceable story, quiet, nocturnal and almost completely unruffled. The third movement fills its three-part form (Aâ€“Bâ€“A) with a folkish dance melody in th...
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