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Smith College Commencement Orchestra Concert 2013 (Term Paper Sample)

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a concert review

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Smith College Commencement Orchestra Concert 2013
The artists of the orchestra include: Staatliche Sinfonie Orchester Istanbul and Howard Griffiths. On May 18, 2013, seniors in Smith College perform solos with the commencement orchestra with Jonathan Hirsch as the conductor. The concert was performed at the Sage Hall and it seemed to be a breath taking event as the audience was thrilled by the coordination among the players conducted by Jonathan the conductor. The piece was delivered superbly with execution of the various sounds in a very organized manner that would be evaluated as being explicit in performance. The orchestra explores works of Orff’s Carmina Burrana and Beethoven’s ninth symphony. This orchestra concert was fuelled by various factors as it seemed full of energy compared to any other performances in the history of the college.
It was a transformed entity as it was passionate and the drive of the performers was at its peak as the energy and the passion that was flowing in the whole piece was magnificent. The person behind the entire exquisite constellation was Jonathan Hirsh who is an amazing conductor to watch as it is quite evident he acted the role of a puppeteer who was on the verge of extracting every inch of emotions from the players who played well as the symphony was a perfect intriguing entity. It is as if the conductor is pulling strings on the players extracting nuance of emotions from his players and this signifies a well coordinated piece in general. The rehearsals to get this kind of revelation must have been tedious as this work can be said is the work of perfectionists. Smith orchestra is usually open by audition to students who have had previous instrumental training. The rehearsals are scheduled to be once a week however additional sectional practices are usually scheduled in the preparation of any sorts of performances.
In examining the conductor; Jonathan it is evident that he coincides with a renowned conductor Leonard Bernstein who is also depicted as having so much control when carrying out the conduction of an orchestra. He is said to have so much enthusiasm as he visually cajoled the most out of his players. This is correlated to how he used his hands for instance in the way he encouraged the players using his hands. The pointing, ordering, coaxing, commanding at every entry is a key feature that fills the entire orchestra performance. This has been attributed to Bernstein’s processes as he did use some of the gestures enumerated above. Compared to Bernstein’s work whose baton was almost always producing a strong constant beat in all the performances, Jonathan’s baton seemed to avoid the detail of the beat as he focused majorly on transcribing the whole phrase in order to create a great impact in the whole composition. The incorporation of this phenomenon of ignoring the beat seemed to have transformed the entire performance as the production was smooth and seemed to work with the various collections and aspects. The precision in this orchestra seem to have been of the highest level as there is no doubt about the accuracy exhibited by the various players in showing harmony while performing and playing the instruments. The musicians in this concert were confident and their readiness for the dynamic changes in a wide range of collections was evident in their performance. The beginning of the performance softly and later on there is the development of the amazing crescendo followed by diminuendo in the middle can be said to be a fan...
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