Describe Film Making in the 1950s: Stan Brakhage (Article Sample)
TASK: write an ARTICLE NOT EXCEEDING 800 WORDS ON Film making in the 1950's ?
THIS SAMPLE DESCRIBES THE FILM MAKING PROCESS IN THE 1950'S RELATING TO TWO SOURCES. THIS SAMPLE RELATES TO THE BOOK, metaphors on vision BY Stan Brakhage's AND Doug Aitken's interview with Kenneth Anger ON THE PROCESS OF MAKING EXPERIMENTAL FILMS. FINALLY THE ARTICLE CONCLUDES WITH Experimental Film Viewing in the Bay Area, WHICH mainly screened avant-garde (Individual) films in a modern art form.
Film making in the 1950’s
In his book metaphors on vision Stan Brakhage’s describes vision as an artist’s improved capacity to see. He makes a variety of inclusions to this definition in which he encompasses hallucinations, day dreams, visions, night dreams and other perceptions that are only manifest after closing one’s eyelids. According to him there is the tendency to suppress the mind’s eye after infancy. So dominant among children, the mind’s eye becomes forsaken and people instead tend to focus on the physical, optical eye. Brakhage goes on to say that the early man had a better understanding on vision than we currently do, because he was able to objectify the concept of fear and religion through cave paintings. He further credits artists for carrying down the tradition of vision through the ages though he also laments about the inadequacy of visual perception in the present time which has resulted in the scarcity of inspirations that are being converted into cinematic experiences. Instead visual perception has been replaced by a new language that is based on moving picture images.
Brakhage, also expresses his discontent with the term experimental film and says that it used by those with no understanding towards art. He explains that film is a form of aesthetic expression and not an experiment. I conquer with his opinion because though many expressive films of our generation may appear to be experimental, the personal expression in them is not and instead it is the foundations on which any art form is based. In addition, I find Brakhage’s style of visual thinking with paint to be the ultimate expression of perception that is derived from the wells of all visual influence.
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