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Book Review
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Uncle Tom's Cabin (Book Review Sample)


The task entailed book reviewing. The book entails a review of Harriet Beecher Stowe\'s book, Uncle Tom\'s Cabin.


Uncle Tom’s Cabin
Uncle Tom's Cabin
Uncle Tom’s Cabin is a novel that is about anti-slavery. It is written by Harriet Beecher Stowe, an American author. The novel helped to lay the Civil War groundwork. Stowe, born in Connecticut, a teacher at the Hatford Female Academy as well as an active abolitionist, is the main character in the Uncle Tom’s Cabin. Stowe was a long-suffering black-slave in whom other character’s stories revolve. The soppy novel portrays the reality of slavery. The novel is also accredited with fueling of abolitionist movement during the 1850s.The impact accredited to the novel is enormous. Uncle Tom’s Cabin was written for a unique purpose: to educate the Northern readers concerning what was going on in the South. During its publication in 1850s, the North and South stood so ethnically divided, which in some circumstances they appeared like 2 separate countries. This paper, therefore, is going to give analyze the novel bearing in mind the major themes that include slavery, religion and feminism.
The Iniquity of Slavery
The novel Uncle Tom’s Cabin was published following the enactment 1850 Fugitive Slave Act that rendered it unlawful for anybody in America to offer assistance or aid to runaway slaves. The novel strives to condemn this law as well as the institution it safeguarded, constantly advocating the pressing slave emancipation as well as free will for all nationalities. Every Stowe’s scene, whereas helping to further plot and character, similarly serves, without exemption, to convince the reader—particularly those who lived in the Northern during Stowe’s time—that servitude is un-Christian, evil, as well as inexcusable in a civilized society (Stowe 2002, 19).
For the largest part of the book, Stowe looks at the slavery question in a rather mild environment, wherein and masters slaves have apparently positive affiliations. Both at St. Clare’s house, and Shelby’s house, the slaves have compassionate rulers who do not mistreat or abuse them. Harriet Beecher does not present these settings to exhibit slavery’s wicked as conditional. Harriet Beecher seeks to reveal the immoralities of bondage even during its best-case situation. Though St. Clare and Shelby possess intelligence and kindness, their capacity to tolerate captivity makes them morally weak and hypocritical. Even under compassionate rulers, slaves suffer, as seen when an economically struggling Shelby contritely wrecks Tom’s family through selling Tom, as well as when the viciously selfish Marie, through insisting attention be accorded to her, inhibits slaves from St. Clare from grieving the demise of her own innocent daughter, Eva. A familiar contemporary justification for slavery asserted that the society helped the slaves since a good number of masters acted out in the best interests of the slaves. Stowe contradicts this contention through her biting depictions, claiming that the serf’s best interest could only lie in gaining freedom (Stowe 2002, 19).
Harriet Beecher depicts the slave-master affiliation as building an unbearable gulf in class, power, education, and liberty, even when it occurs between two equally well-meaning men, for instance, Tom and Shelby, who earnestly care for each other’s welfare. In the character of Tom, Harriet Beecher’s romantic racialism is evident. Romantic racialism defines an attitude in which a person esteems another ethnic group with a patriarchal compassion—a feel of sympathy stained by condescension. While Stowe contends for the humane and fair treatment of black slaves, she also often romanticizes and idealizes them, depicting them as appealing or captivatingly good-hearted instead of as intricate, full humans (McPherson 1997, 29).
In the closing 3rd of the novel, Harriet Beecher leaves behind the congenial life’ veneer at the St. Clare and Shelby houses and carries the reader to the Legree farm, where the slavery evil materializes in its very hideous as well as naked form. This barbaric and harsh setting, wherein slaves suffer sexual abuse, beatings, and even massacre, establishes the capability of surprise into Harriet Beecher’s argument. If servitude is immoral within the best of situations, in the vilest of situations it is inhuman and nightmarish. Within the book’s organizational progression amid hellish and ‘pleasant’ plantations, Stowe’s rhetorical devices can be seen. First she devalues the justification of the pro-bondage reader through revealing the vile of the "noblest" form of bondage. She then portrays her own contention against bondage by revealing the deplorable wickedness of bondage at its vilest (McPherson 1997, 29).
The inharmoniousness of Christian values and slavery
Writing primarily for religious, mainly Protestant readers, Stowe takes immense pains to demonstrate the point that the slavery system as well as the Christianity moral code clash with one another. No Christian, Stowe asserts, should be capable of tolerating slavery. All through the book, the more spiritual an individual is, the more they object to captivity. Eva, the extremely morally unflawed white character within the book, fails to comprehend why anybody would notice a difference amid whites and blacks. Contrary, the morally repellent, profane Legree practices servitude nearly as a guiding principle of intentional evil and blasphemy. Christianity, in Harriet Beecher’s novel, rests upon a universal love code. If all populations were to practice this principle, Stowe asserts, it would be unattainable for one part of humankind to enslave and oppress another. Therefore, not only are slavery and Christianity unharmonious, but Christianity may be utilized to combat slavery (McPherson 19...
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