Art Study: Paintings (Essay Sample)

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Word Count; 475
ANOTATED BIBLIOGRAPHY
Sandler, Lucy Freeman,”classroom use of the art print”. ART Study & teaching, classroom activities, painters and painting. Article 0004393. (May2007). Vol. 141 Issue 4. 28-28. (2013) http://ehis.ebscohost.com/ehost/detail?vid=7&sid=cad1151d-7554-4693-a6b0-44caafd81c48%40sessionmgr4&hid=8&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=26074973
The classroom use of art print is an article that is used as tool to encourage creativity, innovativeness and hard work among students interested in art-print careers. This article gives clear information about classroom use of art print by Jan Van Eyck entitled,”The Arnolfini Wedding”. The article gives a brief introduction about Jan van Eyck, who was born in born in 1385 in Belgium and worked as a court painter for a good part of his life. Jan van Eyck is considered to be the first oil based painter in the history of western countries. The success of van Eyck's is highly attributed to his ability to create the illusion of texture and the various ways in which he depicted the effect of light in paintings. The article proceeds to expound on the Arnolfini Wedding; fur wood textures and folds of fabric in the artistic paintinng. The article proceeds to propose what the trainers should do. It outlines various distinct levels of education that include; Primary, Elementary, Middle School and High -school. The author then outlines how learning and understanding can be facilitated using the same painting. He clearly gives guidance on how each group can derive maximum benefit in developing artistic skills in painting, by directing teachers on how to use the painting in teaching, according to the level of education of the audience.
Sandler, Lucy Freeman "The Handclasp in the Arnolfini Wedding: A Manuscript Precedent." Portrait painting. Art journal 00043079 (Sep 1984). Vol. 66 Issue 3.488-592. (2013) http://ehis.ebscohost.com/ehost/detail?sid=cad1151d-7554-4693-a6b0-44caafd81c48%40sessionmgr4&vid=6&hid=16&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=5315223
This article gives a general analysis of the identity couple in Jan Van Eyck’s portrait painting. The paper has since been severally questioned, most recently by peter schabacker, who claimed that the figures represented were not Giovanni and Jeanne Cenami. The article proceeds to outline Erw...