Women in TV Ads: Australia and India (Essay Sample)
The research should engage with a range of theoretical approaches to understanding the public relations function and critically analyse the objectives and delivery of a range of strategic communications activities.
It should contribute to and develop informed discussion and debate on the role and nature of PR practices in a post-industrial, information society.
NOTE: Please let me know if you have any other two countries you are convenient with other than the one on the topic.
Please kindly go through the instructions and assignment sample attached
Also let me know if there are two other countries you can use as a case study asides the one I chose
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WOMEN IN TV ADS; AUSTRALIA AND INDIA
The advertising role as an operational communication vehicle has for a long time been recognised. It has turned out to be the critical segment of the economic and cultural fabric of a community and remains a key tool for communication in marketing. The marketing communication tools are a set of differentiated programs selected to communicate effectively with the target viewers. Advertising is among the most noticeable and widely utilised tool of communication in the campaign of marketing, as its key characteristic is elevating awareness. Ads can be operative not only for service or goods marketing but also for brand marketing.
The establishment of Ads on televisions in the 21st century has changed the means via which public relations is accomplished. Televisions have permitted firms of varied fields in implementing new campaigns of P.R. in a more engaging and direct means than ever before whilst offering customers the chance to pick content with which they want to interact. Therefore, ads showing on T.V. are regulated and must observe the rules of broadcast advertising.
This research shall assess the ethics of aiming women in crusades, a situation of females in television in Australia and India.
Engagement and Public Relations
The industry of public relations is a young and quickly evolving industry with above 470 explanations that try to describe and define its function and purpose as a field. In this study, for consistency and clarity upon a description, I have allied with the 2020 explanation of CIPRs that P.R. concerns influencing, behaviour, reputation, and opinion via the engagement of stakeholders and the communication management among a firm and its societies. Engagement is a P.R. term that has split outlook since its commencement, with early readings emphasising cognitive involvement in society capacity building and campaigns (Kamalipour, 2019, p. 231). Nevertheless, because of research developments, engagement established over time and started to be viewed as a ‘game changer’ sustaining social and technological improvements inside the industry, an example being advertising. Engagement is also a driven situation of committed people sharing public interactions and encounters, which strongly resonates with the participatory culture concept.
Advertising and its significance to P.R.
Advertising is a communication means with the consumers of a service or product. Ads are compensated for by individuals or parties that send them to influence or inform individuals who obtain them. Currently, advertising utilises every probable media to pass through its message. This comprises radio, direct selling, television, poster, prints, mailers, press, sponsorships, and the internet, among other forms. In the previous years, advertising practices have shifted greatly as new media and technology have permitted customers to bypass the old-style venues of advertising. The key advertising purpose is to remind, inform, and persuade.
The objective of numerous P.R. television adverts is to influence the viewers to believe or take action. Two instances of this type of format are the spot of corporate image and public service. Spots in public service try to shift the public's attitudes on concerns like prevention of crime and ‘drinking and driving’ (Avidar, 2017, p. 74). On the other hand, commercials for corporate image pursue enhancing the image of the public of a business, a company, or a government agency. Irrespective of the purpose, most television viewers similarly view P.R. advertising as they see product advertising, just another enjoyable, interesting, boring, or informative, annoying, and incomprehensible.
Evaluations of advertising to P.R. as a united structure are comprehensively embedded in marketing, where both public relations and advertising are viewed as promotion tools in the blend of marketing. P.R. communications by their nature concern were messaging. Nevertheless, advertising agencies might value other aspects in their communication, like creativity. Aside from media and specific messages, public relations and advertising utilise similar procedures making it worthy and commonsense to unite the two. Each tries to establish awareness, influence behaviour, and shift attitudes (Morris & Goldsworthy, 2012, p. 78). When united, these activities offer a unified marketing thrust that is bigger than its segments. This is evident in numerous Australian and Indian markets where advertising and public relations professionals are already executing tasks that normally confuse the lines between the two fields. Research implies that P.R. has attained a 'celebrity position' at the advertising expense, making P.R. a field of equal significance. Similarly, they are both viewed as promotion mechanisms in the ‘marketing mix.’
Women in T.V. Ads in Australia and India
In current years, the Indian advertising industry has acquired economic importance and is seen as an instrument to enclose beneficial business opportunities. The elevating expenditures of ads display a constructive approval of advertising as a critical instrument for marketing and an operative tool of social communication via integrating the desire for an enhanced lifestyle amid the target viewers. Hence, the advertising industry performs as a medium to convey these desires to customers and the beneficiary recipient of these longings. To attain the same, stereotyping of gender is the most conjoint approach and practice utilised by different advertisers to develop a vital link with the brand since an absence of identification with the roles depicted might minimise the retention, attention, subsequent recall, and credibility of any ad (Raychaudhuri, 2014, p. 56).
Depiction of females in Indian ads depicts stereotypes. The prevailing portrayals of female roles in adverts were recognised as 'sex objects,' celebrities, or housewives. Depiction of females in a housewife’s role displays the notion that in India, the key accountability of a female is on the way to her family, where she is anticipated to devote more energy and time in the mother and wife role than any additional roles (Jerath & Pandey, 2015, p. 76). Additionally, in most ads, women are not represented in an office environment or a role at work but most frequently displayed without a clear sign of their status at work. This outlines that advertisers wish to understate the status of employment of women while displaying them in advertisements. Also, women models are displayed as young, and advertisers do not consider the old aged women (Farris, 2014, p. 67). It is valuable to notice that the market also involves a substantial percentage of older women and middle-aged consumers, and advertisers fail to consider the shifting pattern of demographics.
The women appearing in Australian T.V. ads are somewhat different from men. Women are characteristically displayed as customers of inexpensive items, specifically those linked with the body and food. They are not probable to offer a cause for purchasing an item by underscoring the social rewards for item acquisition. Women key figures also depicted established roles concerning other individuals and are more regularly shown in domestic environments. This displays that T.V. ads in Australia lay out similar old-style stereotypes in sex roles as manifested in some other states (Mazzella, Durkin, Cerini, & Buralli, 2012, p. 127). Women in Australian T.V. commercials are also depicted mostly as young, a distinctive characteristic for most Ads. This suggests that advertisers find it essential for females to be depicted as attractive and youthful, unlike males.
Moreover, females are mostly depicted in roles described by other individuals, while males are autonomous. The stereotypical ideology that females belong in the home environment is displayed in their frequent depiction in home environments, a result also similar to American and British advertisements (Mayer, 2014, p. 87). Women are also more likely to offer no dispute in support of the advertised product and be dependent on social approval. There is a necessity for consistent monitoring of the globe’s media concerning the division of sex roles context. Evaluations display that Australian T.V. ads fit into extensively disparaged patterns inside western T.V. and display a greatly stereotyped image of females and males.
Public Relations Content Assessment
For this account, I have picked three Television campaigns to assess textually. This evaluation shall show why and how women in Television advertisements in both Australia and India have chosen to utilise these specific campaigns to preserve and improve their reputation via their advertising style.
1 ‘Nirma Ambulance Campaign’
This ad displays four women aiding to pull out a vehicle (ambulance) stuck on the mud while the males hesitate to assist for fear that they might soil their garments. The significance is inherent; Nirma is a constructive aid for the Indian females of the 21st century who walk side by side with men. Among being a responsible citizen, a homemaker, and an expert, she manages numerous responsibilities with simplicity; Nirma only supports her adeptness in using a dependable cleaning agent.
Looking at the nicely dressed women and men and the vehicle (ambulance), one can conclude that the adverts social context is an urban area. The people's costumes supplement the term urban; office-going women and men dressed in official garments, urbanised...
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