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Film Critique: Philosophical Analysis of Inception (2010) (Movie Review Sample)


Philosophical Analysis of Inception (2010). sample is the completed work that was submitted

Philosophical Analysis of Inception (2010)
Can you control your mind? Currently, are you awake or dreaming? To what extent do other people take part in our perceived realities that are different from the real environments in which we live, and interact? How far can one go in terms of manipulating the mind of another person? These are the fundamental philosophical questions that arise when one views the film Inception. Written, produced and directed by an award-winning film director Christopher Nolan, Inception stands out to be a remarkable film that is worth watching by anyone given its intrinsic feature of appealing to the broadest audience possible. This paper seeks to analyze the film based on the two philosophical articles, namely; Meditations on First Philosophy by Rene Descartes and Republic by Plato.
Part One
The plot of Inception revolves around the ability of some groups of people to undergo shared dream experiences. This enables some individuals in the dream worlds to conduct intentional actions that relate to the insertion of valuable information into the target’s mind such that the information appears to the target as internal and original. There are several philosophical themes, scenarios and concerns presented in the film relating to our ability to distinguish dreams from reality. In the film, an heir of the multinational energy corporation is targeted for inception by his competitor, Mr. Saito. Saito does not have the capacity to level an adequate competitive strength and hence resort to inception aimed at making the heir dissolve the company to Saito’s advantage. He hires Cobb, as a self-proclaimed extractor, to conduct the inception in exchange for his freedom. Cobb assembles his team comprising of a forger, a chemist, an architect and the industrialist. The team’s biggest dilemma is that to perform a successful inception, and then they will inevitably have to conduct a series of deceptions that from the face value to complicated and risky. This can only be achieved by the layering of dreams within dreams.
This layering of dreams within dreams raises the fundamental philosophical questions; how can one know if s/he is dreaming or awake? From the film’s target to Cobb and his accomplices and even the audience, not one knows for sure the difference between dream and reality. The film is presented in such a way that the viewer understands the dream-within-dream as reality. There is no reason whatsoever for one to suspect that all manipulations done by Cobb and others are a dream (Rinesi 3). Philosophically, the film is totally ambiguous; the same ambiguity people face in their daily lives as they attempt to distinguish a dream and what actually is real. The concern here is whether our perceived realities are always real. The philosophy of mind highlights that it is normally difficult for our minds to distinguish a dream from reality when we cannot tell whether we are dreaming or not. Inception explores this idea to another...
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