Critique Approach on Design (Research Paper Sample)

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Critique Approach on Design
Introduction
Richard Buchanan viewed design in various perspectives. Mainly, he sought to define the approach from an artistic point of view. The author asserted the rhetoric nature of design exists when the society seeks association with the use of certain objects. The argument is that design serves to the evolution of different courses of life in the society following its influence in shaping changes. The other aspect of design correlates to the argumentative and rhetoric variables exhibited in every item of art (Margolin 96). Comparing the cabinet design from the Design Within Reach Incorporation to a similar one from a different studio, it is apparent that the applied modernist art relates to Richard Buchanan’s concept and reception.
Fig 1. An image of a cabinet in the Design Within Reach Incorporation
lefttopFig 2. An image of a bookshelf (cabinet) item
Discussion of DWR Studio’s design of the cabinet and a second one in relation to the rhetoric concept
The theoretical definition of design assumes that every artwork conforms to the dynamic preferences of distinct groups of users in the society. Presumably, the evidence accrued after observing the modernist artistic effects on the cabinets confirms the prevalence of rhetoric character in concept and reception. For instance, the modernism artists embraced the construction of items to match the changes in the society. It is realistic that rhetoric concept is evident in the cabinet in its development from a series of chambers. The rectangular and square design of the items’ chambers implements the aspect of persuasion to the target group of users. The introduction of modernism to a generation that pursued academic and industrial activities in refurbishing the economic and technological aspects of the society influenced the cabinet’s design (Buchanan 17). It is significant to assume that the studios were confident of delivering satisfaction by developing the items.
Precisely, the items’ cuboids in rectangular and square forms provoked the character of utility in storing different resources at a domestic and commercial perspective. Since the cuboids vary in width and height, it is arguable that the design was essential in the provision of choices to the users in the course of utilizing the items’ space. The items’ artistic approach provokes the target users to pursue transparent and ethical activities in any of their life courses. The evidence accrued towards the argument is viewable in the items’ artistic use of straight wooden materials in different dimensions and measures (Margolin 97). Further, the inclusion of white and cream colors is a rhetorical aspect of persuading people on a certain course. The argument is that the coloring approach provokes the need for peace in the environment.
Different psychologists and philosophers argue the influence of color on emotional attributes and physical behavior as unprecedented; hence, the items’ color provoked the prevalence of peace in physical and psychological perspectives (Buchanan 19). It is vital to indicate the items’ trimmed shapes and designs imply professionalism and devotion towards success. Therefore, the design of the cabinets elevates the domestic and commercial use in archiving or storing information materials. For example, the DWR cabinet would serve as a home library for a student or any other individual. The item’s design excels in the presentation of the target users towards the art of reading and acquiring knowledge from different study materials.
The aspect of "argument" in the two cabinets
The artwork’s design conforms to the modernist’s culture. A user can conceptualize that the item is essential in the creation of a home or office library. Similarly, the design’s characteristics of cuboids and bright colors imply the importance of the item in the creation of a peaceful or conducive environment. The argumentative aspect of the design is notable from the creation of multiple and neat chambers as petitions of the entire item. A similarity is evident in the middle part of the items, which is lower while the right and left parts slope upwards. The two ends of the items protrude outwards, a characteristic that provides space from the upper and lower sides. The artistic approach is correlative to Richard Buchanan’s critique of persuasive argument (Margolin 98). For instance, the Design Within Reach’s artistic approach sought to provoke the target users to acknowledge the items sufficiency in the provision of storage and reading space.
Comparatively, the shape of the items implies the modernists’ perception of introducing a complex cabinet for use in professional and academic excellence. After reviewing the design’s attributes of color and shape, it is apparent that the objects sought to exhibit competence in the elevation of a strong framework of utilities from a non-complex approach. Critically, the design presents the aspect of persuasion from the attributes in that the artists might have sought to assert that the items are essential in the acquisition of success in storing, retrieving, and acquiring beneficial information in a peaceful environment (Buchanan 21). Such emphasis is evident from the provision of lighting effects in the second item through the distended bulb at the left-hand side and a window at the other. Similarly, the middle deck of the two items is white in color to provide the psychological and physical preferences of peace and light to the users.
Critique of the item’s design in relation to the concept of architectonic arts
It is apparent that the modern and contemporary society comprises a population whose culture defines their tastes and preferences towards the use of different products. Similarly, the modernism art culture led to the development of a product whose design matches the target user’s needs of storing and accessing information with ease. The artistic design of the DWR item emulates the concept of architectonic arts from its incorporation of gothic and modern approaches. Arguably, each of the items’ cuboids conforms to the enlightenment period’s art design, which focused on the development of simple and precise structures to solve a distinct problem (Margolin 99). For example, a reading table from the gothic age would provide space for a group of people, while a shelf would be built at an accessible location in the same room. Therefore, Design Within ...