1984 and Blade Runner (Essay Sample)
Scott and Orwell have done an excellent job of utilizing the protagonist's surrounding environment in order to depict their control and indicate that they are under each other's control, and they have done so by likening the protagonist to the surrounding environment and thereby displaying how the setting has impacted these characters, as demonstrated in the novel (Scott et al., 1982). As a result, this article will examine how the state manipulates individuals' decisions towards love and how it inhibits the formation of personal identity in both OF these works
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1984 and Blade Runner
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1984 and Blade Runner
By employing various approaches in their respective contexts, Ridley Scott and George Orwell have made significant contributions to the representation of control in their respective works of fiction. This has been accomplished based on the premise that they should reflect the effects of the characters in "Blade Runner" and "1984", respectively, on society. Scott and Orwell have done an excellent job of utilizing the protagonist's surrounding environment in order to depict their control and indicate that they are under each other's control, and they have done so by likening the protagonist to the surrounding environment and thereby displaying how the setting has impacted these characters, as demonstrated in the novel (Scott et al., 1982). As a result, this article will examine how the state manipulates individuals' decisions towards love and how it inhibits the formation of personal identity in both of these works.
In George Orwell's novel Nineteen Eighty-Four, as well as Ridley Scott's film Blade Runner, we can see a reflection of the postmodern questioning of the nature of humanity, as well as how the state manipulates individual choices that are regarded to love and, as a result, inhibits their identities (Scott et al., 1982). There is a preference for emotions in the illustrations presented in each text because they are distinctively considered human traits despite the challenge associated with the basis of love and morality and indicating the evidence of individuality and the foundation that indicates what it means to be human in a situation where one has been deprived concerning the values that provide a definition of a human characterizing them as unnatural and therefore considering what it means to be human.
In this case, it is the issue of emotions, notably love, that has been regarded to the choices manipulated by the state as the foundation of human principles and as being separate from others. The state's suppression and misdirection, which takes the shape of manipulation affecting individual choices and which is mirrored in the novel 1984, destroy the aspect of human love that has been depicted in the novel. Additionally, the psychological manipulation and play related to the residents' emotions is a final step in removing humanity from the situation. People have been compelled to repress their feelings, while others have allowed themselves to be themselves due to this repression. Through this contrast of the proles and Winston, Orwell shows his opinion that emotions define humanity and that expressing those feelings is a fundamental human attribute (Scott et al., 1982). A common topic in Blade Runner is the idea that Replicants are more human than human beings themselves, demonstrated by Roy Batty, who portrays some of the most raw human emotions in the film's conclusion. By rescuing Deckard, Roy demonstrates the most human emotion: compassion. After Roy's death, Deckard says the following: "Perhaps he was more in love with life than he had ever been before. All he wanted were the same kinds of answers that any of us would like to hear." Deckard fully acknowledges Roy's existence as a person. Scott directs a film connected to the topic of memories and thinking.
Roy's context has been identified in his attempts to convey how he intended to die because he believed that he would be able to lose forever all of the uncommon and important experiences he had encountered while living as a human. In turn, this has contributed to the development of a metaphor connected with memories that are lost like tears in the rain (Orwell, 1984). The repression and misdirection linked with huma emotions and feelings can be shown to the essence where the state has been identified as manipulating individual decisions that pertain to love and, as a result, inhibiting the formation of personal identity in the two texts discussed above (Orwell 1984). The emotions linked with love and loss have been depicted in two different contexts, establishing them as two separate human characteristics in each.
In addition to being developed, the argument offered in the two books should also include connected approaches that will serve as proof in the case of a specific technique. Humanity has been defined as the ability of an individual to exercise freedom of thought and identity concerning other people. In both works, it is successfully demonstrated that repression of an individual's individuality will have a detrimental influence on the existence of a human being. For example, Winton, Deckard, and Roy provide proof that their humanity has been called into question and that they are under pressure from the power of conformity to demonstrate this. Interaction with this type of pressure has been described to demonstrate how the state manipulates an individual's decisions and hinders their development due to the control and harshness that the government subjects to them.
The ideas portrayed by the party and the double work have created a psychological web impact that will undoubtedly distort an individual's choice and r
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