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Orientalism in Sex and the City 2 (Movie Review) (Movie Review Sample)


The aspect of orientalism in the movie "Sex and the city 2"


Orientalism in Sex and the City 2
Orientalism in Sex and the City 2
The Sex and the City media franchise is largely renowned and is comprised of six television seasons and two films. In particular, the television series, throughout its course had been extensively acclaimed and applauded with respect to its brand-new and revolutionary attitude towards different societal aspects, addressing modern-day themes including feminineness, promiscuity, as well as sexuality, and at the same time delving into the complex perspective of both passionate and amicable relations. It was this major acclaim that propelled the creation of the first film, which also obtained considerable praise. However, the second film, Sex and the City 2, had an entirely novel societal issue come into play. For a considerable part of the scenes in the film, the main protagonists of the film, Carrie, Samantha, Charlotte and Miranda, all take an all-paid luxury trip to Abu Dhabi. What comes about from this subsequent portrayal within the film is a substantially orientalist and racist representation of the Middle East.
In delineation, orientalism is a manner of perception that visualizes, accentuates, embellishes and misrepresents differences of Arab people and cultures in comparison to that of Europe and the United States. More often than not it encompasses perceiving the Arab culture as unusual, backward, uncivilized, and from time to time unsafe. It takes into account the recognition in the West of the basic difference between East and West as the origin and basis for extravagant philosophies, blockbusters, narratives, social portrayals, and political accounts with reference to the Orient, its societies, civilizations, and the like (Said, 2001). In accordance to Said (2001), the Orient is created and characterized as incessantly in need of rectifications and assistances from somewhere else and on account of being superior. With respect to advancement, beliefs and race, it is deemed that the West meets the requirements for that role. In addition, bearing in mind the Orient does not have the ability to depend on its own, to give its own remarks, to undertake essential improvements for itself, it has come to be an important aspect for the West to assist the Orient. Said makes the argument that this is the manner in which Orientalism offers the coherent basis for why the Orient ought to continue being under Western domination. On the basis of the orientalism presented by Said (2001) as well as on characteristic descriptions of the media and films, it can be posited that there are issues with regard to the Western comprehension of Eastern cultures. To begin with, the Western perspective of the East is largely swayed by the stereotypical damaging depictions that are incessantly presented by Hollywood films. This kind of a wrong depiction precludes the West from being able to completely understand and fully know the actuality of cultures in the Middle East. In addition, the interpretations of these cultures by scholars in the West are assessed and inferenced through the standpoint of Western beliefs and values. More often than not, this gives rise to misapprehension. Moreover, several assumptions are made devoid of having actually made a visitation to any Middle Eastern nation (Qutub, 2013).
From the outset, Sex and the City 2 has features of orientalism. While in New York, at the time when Samantha reveals the news to her three friends that they are about to leave for Abu Dhabi in the Middle East, Carrie come out and asserts that for a long time she has been riveted by the Middle East. However, she goes on to create an image outside of history in an Orientalist manner with the perception of the Middle East having desert moons, magic carpets and also Scheherazade. The adopted daughter of Charlotte responds by asking whether the Middle East is akin to the scenes in the cartoon Jasmine and Aladdin. Right from the start, it can be perceived that the playwrights for Sex and the City 2 already have biased notions from watching the film Aladdin presented by Disney, which also had several aspects of orientalism. Moreover, subsequent to boarding the flight and while on their way, Carrie appears to have the perspective of the Middle East being backward and civilized as he states that there is “Arab Pringles”. This is no different from normal Pringles, the only difference being the language on the packaging. At the end of the day, this points to the conception that such less developed nations ought not to have products from major brands. In addition, while being on the plane, after hearing a flight attendant provide the usual flight directives in Arabic, Samantha acts like a wild-eyed youngster who is hearing a foreign language for the very first time. She goes on to assert, “I wonder what she’s saying. It sounds so exotic!” (Ali, 2010).
As the film progresses, there continues to be orientalist perspective. Another poor perspective is the consideration that the Middle East is an unsafe and dangerous area to exist in. To begin with, after getting to their hotel, Charlotte Goldenblatt c...
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